Archive for the Convictaria Category

Marcus Clarke’s “… His Natural Life”

Posted in Biotica, Convictaria with tags , , on June 27, 2009 by TP publishers

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Above: Marcus Clarke’s hat, State Library of Victoria Collection

Want to browse Gutenberg’s plain text version of Marcus Clarke’s FOR THE TERM OF HIS NATURAL LIFE?

The first few pages …

Link and source: For the Term of His Natural Life

by Marcus Clarke

DEDICATION

TO

SIR CHARLES GAVAN DUFFY

My Dear Sir Charles, I take leave to dedicate this work to you, not merely because your nineteen years of political and literary life in Australia render it very fitting that any work written by a resident in the colonies, and having to do with the history of past colonial days, should bear your name upon its dedicatory page; but because the publication of my book is due to your advice and encouragement.

The convict of fiction has been hitherto shown only at the beginning or at the end of his career. Either his exile has been the mysterious end to his misdeeds, or he has appeared upon the scene to claim interest by reason of an equally unintelligible love of crime acquired during his experience in a penal settlement. Charles Reade has drawn the interior of a house of correction in England, and Victor Hugo has shown how a French convict fares after the fulfilment of his sentence. But no writer–so far as I am aware–has attempted to depict the dismal condition of a felon during his term of transportation.

I have endeavoured in “His Natural Life” to set forth the working and the results of an English system of transportation carefully considered and carried out under official supervision; and to illustrate in the manner best calculated, as I think, to attract general attention, the inexpediency of again allowing offenders against the law to be herded together in places remote from the wholesome influence of public opinion, and to be submitted to a discipline which must necessarily depend for its just administration upon the personal character and temper of their gaolers.

Your critical faculty will doubtless find, in the construction and artistic working of this book, many faults. I do not think, however, that you will discover any exaggerations. Some of the events narrated are doubtless tragic and terrible; but I hold it needful to my purpose to record them, for they are events which have actually occurred, and which, if the blunders which produced them be repeated, must infallibly occur again. It is true that the British Government have ceased to deport the criminals of England, but the method of punishment, of which that deportation was a part, is still in existence. Port Blair is a Port Arthur filled with Indian-men instead of Englishmen; and, within the last year,France has established, at New Caledonia, a penal settlement  which will, in the natural course of things, repeat in its annals the history of Macquarie Harbour and of Norfolk Island.

With this brief preface I beg you to accept this work.
I would that its merits were equal either to your kindness or to my regard.

I am,
My dear Sir Charles,
Faithfully yours,
MARCUS CLARKE

THE PUBLIC LIBRARY, MELBOURNE

CONTENTS

DEDICATION

PROLOGUE

BOOK I.–THE SEA. 1827.

I. THE PRISON SHIP
II. SARAH PURFOY
III. THE MONOTONY BREAKS
IV. THE HOSPITAL
V. THE BARRACOON
VI. THE FATE OF THE “HYDASPES”
VII. TYPHUS FEVER
VIII. A DANGEROUS CRISIS
IX. WOMAN’S WEAPONS
X. EIGHT BELLS
XI. DISCOVERIES AND CONFESSIONS
XII. A NEWSPAPER PARAGRAPH

BOOK II.–MACQUARIE HARBOUR. 1833.

I. THE TOPOGRAPHY OF VAN DIEMEN’S LAND
II. THE SOLITARY OF “HELL’S GATES”
III. A SOCIAL EVENING
IV. THE BOLTER
V. SYLVIA
VI. A LEAP IN THE DARK
VII. THE LAST OF MACQUARIE HARBOUR
VIII. THE POWER OF THE WILDERNESS
IX. THE SEIZURE OF THE “OSPREY”
X. JOHN REX’S REVENGE
XI. LEFT AT “HELL’S GATES”
XII. “MR.” DAWES
XIII. WHAT THE SEAWEED SUGGESTED
XIV. A WONDERFUL DAY’S WORK
XV. THE CORACLE
XVI. THE WRITING ON THE SAND
XVII. AT SEA

BOOK III.–PORT ARTHUR. 1838.

I. A LABOURER IN THE VINEYARD
II. SARAH PURFOY’S REQUEST
III. THE STORY OF TWO BIRDS OF PREY
IV. “THE NOTORIOUS DAWES”
V. MAURICE FRERE’S GOOD ANGEL
VI. MR. MEEKIN ADMINISTERS CONSOLATION
VII. RUFUS DAWES’S IDYLL
VIII. AN ESCAPE
IX. JOHN REX’S LETTER HOME
X. WHAT BECAME OF THE MUTINEERS OF THE “OSPREY”
XI. A RELIC OF MACQUARIE HARBOUR
XII. AT PORT ARTHUR
XIII. THE COMMANDANT’S BUTLER
XIV. MR. NORTH’S INDISPOSITION
XV. ONE HUNDRED LASHES
XVI. KICKING AGAINST THE PRICKS
XVII. CAPTAIN AND MRS. FRERE
XVIII. IN THE HOSPITAL
XIX. THE CONSOLATIONS OF RELIGION
XX. A NATURAL PENITENTIARY
XXI. A VISIT OF INSPECTION
XXII. GATHERING IN THE THREADS
XXIII RUNNING THE GAUNTLET
XXIV. IN THE NIGHT
XXV. THE FLIGHT
XXVI. THE WORK OF THE SEA
XXVII. THE VALLEY OF THE SHADOW OF DEATH

BOOK IV.–NORFOLK ISLAND. 1846.

I. EXTRACTED FROM THE DIARY OF THE REV. JAMES NORTH
II. THE LOST HEIR
III. EXTRACTED FROM THE DIARY OF THE REV. JAMES NORTH
IV. EXTRACTED FROM THE DIARY OF THE REV. JAMES NORTH
V. MR. RICHARD DEVINE SURPRISED
VI. IN WHICH THE CHAPLAIN IS TAKEN ILL
VII. BREAKING A MAN’S SPIRIT
VIII. EXTRACTED FROM THE DIARY OF THE REV. JAMES NORTH
IX. THE LONGEST STRAW
X. A MEETING
XI. EXTRACTED FROM THE DIARY OF THE REV. JAMES NORTH
XII. THE STRANGE BEHAVIOUR OF MR. NORTH
XIII. MR. NORTH SPEAKS
XIV. GETTING READY FOR SEA
XV. THE DISCOVERY
XVI. FIFTEEN HOURS
XVII. THE REDEMPTION
XVIII. THE CYCLONE

EPILOGUE

APPENDIX

HIS NATURAL LIFE.

PROLOGUE.

On the evening of May 3, 1827, the garden of a large red-brick bow-windowed mansion called North End House, which, enclosed in spacious grounds, stands on the eastern height of Hampstead Heath, between Finchley Road and the Chestnut Avenue, was the scene of a domestic tragedy…

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Former convict Mrs Mary Gifford

Posted in Convictaria, Exhibitions and Publications with tags , , on June 14, 2009 by TP publishers

In 2006 this weblog posted the lower two portraits of former convict Mary Anne Gifford (nee Hunt). In 2007 the catalogue of the exhibition, The Painted Portrait Photograph in Tasmania 1850-1900, John McPhee curator, Queen Victoria Museum and Art Gallery Tasmania, appeared with a very similar portrait by W.P. Dowling (d.1877) of Mary Anne Hunt, although she is not identified by name by the curator. Her portrait on the frontispiece of catalogue is dated to ca. 1860. If she is the same sitter, these three portraits dated 1860, 1865, and the later one by the Anson brothers dated ca. 1880, show Mary Anne Hunt as a young woman, a young married woman, and a middle-aged woman, fond of lace collars and floral fascinators…

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“Unknown woman”, catalogue of the exhibition, The Painted Portrait Photograph in Tasmania 1850-1900, John McPhee curator, Queen Victoria Museum and Art Gallery Tasmania. Photos of catalogue © KLW NFC 2009.

Mrs Gifford (nee Hunt):
Title: Mary Anne Hunt : portrait
Creator(s):
Dowling, William Paul, ca. 1824-1877
Date: ca. 1858
Description: 1 painting : pastel on photographic enlargement ; 25 x 20 cm.
Notes: Attributed to William Paul Dowling by Henry Allport., Unsigned and undated.,
Exact measurements 242 x 194 mm. within mount. Framed under glass in wooden frame., Support x-ray tested: traces of silver, iron, bromine, chromium and lead.,
Note on reverse ‘Mary Anne Hunt married Aeneas Gifford ; mother of Mrs. Charles Barclay’., Condition on accession: Acidic mount, straw/mill board backing. 2 cracks centre and lower edge. Exposed damage right side.
Format: picture
Location: Allport Library and Museum of Fine Arts
ADRI: AUTAS001124067141
This portrait of Mrs Gifford looks remarkably like the former convict Mrs Gifford in the photo (below) by the Anson Bros. ca. 1880 (State Library of Tasmania Collection).
In both portraits Mrs Gifford is tightly strapped around the bosom. In the handtinted pastel portrait she is wearing the sort of whale bone corset which was like a hardcover book opened outwards with the spine wedged into the cleavage.
Title: Mrs. Gifford
Creator(s):Anson Bros
Date: 18–Description: 1 Kodak card photograph : sepia toned ; 14 X 9 cm.
Notes: Exact size:135 X 86 mm., “Sarah Ann Hunt, convicted Central Criminal Court, London, Augt. 22, 1842. 14 years”–written in pencil on verso in unknown hand., Head and shoulders inclined right.
Format: photograph
Location: Allport Library and Museum of Fine Arts
ADRI: AUTAS001125645408
Title: Aeneas Gifford as an old man
Creator(s):Anson Bros
Date: 18–
Description: 1 photograph : sepia toned, hand pencilled highlights ; 25 X 20 cm.
Notes: Exact size: 244 X 193 mm., Three quarter length portrait of Mr. Gifford seated with a cane.
Subjects:Gifford, Aeneas
Format: photograph
Location: Allport Library and Museum of Fine Arts

Below: Picasa album of photographed extracts from the catalogue of the exhibition, The Painted Portrait Photograph in Tasmania 1850-1900, John McPhee curator, Queen Victoria Museum and Art Gallery Tasmania, 2007-2008:

The Painted Photograph in Tasmania

Photos copyright © KLW NFC 2009 ARR.